Weird Retro
  • Escape Pods
    • Comics Corner >
      • Out Of Context Comic Panels: Oh The Horror!
      • Out Of Context Comic Panels: Having A Spanking Time
      • Out Of Context Comic Panels: Boners, Dicks & A Gay Old Time
      • Military Courtesy: A Comic For Semi-Literate Soldiers
      • Hoverboy: The Racist Superhero
      • Users Are Losers: A History Of Drugs In Comic Books
    • Cracked Culture >
      • Plastic Fantastic: Ben Cooper Halloween Costumes
      • The Finishing Line: The Banned Public Information Film
      • Japanese Gas Attack Posters From 1938
      • Outer Limits Trading Cards: A Retrospective
      • Vintage Acid Blotter Art
      • The Mechanics Of Racism: Mechanical Toy Catalog From 1882
    • Cult Cinema >
      • Chillin' With Godzilla Behind The Scenes
      • Saul Bass: The Genius Of Movie Poster Design
      • Rocksploitation Horror Of The 80s: Big Hair Gone Bad
      • Top Ten: Exploitation Cinema Documentaries
      • Begotten: Once Seen Never Forgotten
      • Bloody Good Scenes Of Mass Murder
    • Editorial Sarcasm >
      • What Makes A Horror Movie Scary?
      • Where's The Jet-Pack I Was Promised As A Kid?
      • A Journey Through Comic Book Addiction
      • Banned By Facebook: The Nipple Police Strike Again!
      • Shop Till You Drop... Dead!
    • Far-Out Fiction >
      • The Banned Kids Book That Never Existed: Space Oddity
      • Red Alert! Movies You May Not Know Where Based On Pulp Novels (Part 2)
      • How Things Have Changed: Ladybird's Peter & Jane Through The Years
      • Go Fuck Yourself! The Ultimate Time Travel Paradox In Science Fiction
      • The Fantastically Surreal World Of Roland Topor
      • Who Goes There? Movies You May Not Know Where Based On Pulp Novels (Part 1)
    • Neo-Retro Weirdness >
      • Scanner: Head Exploding Punk Rock
      • WingMen: A New Hull Based Movie Production
      • Neo-Retro Movie Posters: Sci-Fi & Horror Movies
      • Beyond The Grave: A Supernatural Post-Apocalyptic Spaghetti Western Road Movie
      • For The Love Of B-Movies: Matt Loftus
      • Industrial Soundtrack For The Urban Decay
    • One Hull Of A City >
      • One Hull Of A Story: The Snakeman Of Southcoates
      • One Hull Of A Story: The Pig Man Of East Hull
      • The Mystery Of The Wold Newton Meteorite
      • One Hull Of A Story: The Kraken of Hull Museums
      • One Hull Of A Story: Priestman Oil Engine
      • One Hull Of A Story: Quick Histories Of Hull
      • One Hull Of A Story: The History Of Chip Spice
    • Retro Gaming >
      • Will The Last Ninja Out, Please Close The Door?
      • Before GTA: The Blood, Guts & Gore Of Carmageddon
      • I Just Found It On The Hard Drive Honest! Weird Retro Porn Games
      • Vintage Horror Games You May Have Missed
      • Top Ten: Retro Cyberpunk Games
      • Shadow Of The Comet: Spot The Famous Actors Faces
    • Wacky World >
      • Derelict Retro-Futurism In Former Yugoslavia
      • Scaling The Heights Of Outsider Art: Watts Towers
      • The Salton Sea & Slab City: Life Death & Hope In The Badlands
      • Tracking Down The Atomic Beast: Survival Town & Yucca Flats
      • Monroeville: Mall Of The Dead
      • Zoro Gardens Nudist Colony
    • Weird Music >
      • Jandek: The Man, The Myth, The Music
      • Big Hair & Bad Artwork: The Worst Rock & Metal Album Covers
      • Confessions Of A Band T-Shirt Addict
      • :Stalaggh:/:Gulaggh: Music From Damaged Minds
      • Weird Music Deaths: Its Not All About Drug Overdoses At 27 You Know!
      • Crazy & Cool: Sesame Street Albums
  • Captain's Blog
  • Supplies
    • Freebies
  • Contact
Picture

The Dial-A-Poem Poets

Picture
John Giorno of the Dial-A-Poe​m project 1968 - 1972.
Dial-A-Poem was a New York City poetry project started in 1968, by poet John Giorno. It used the telephone system, to spread poetry recorded by poets and artists. For a period of about 4 years, anyone could dial 212-628-0400 on a rotary telephone and hear a poem. Dial-a-Poem offered poetry for the everyday caller. The program of poems changed regularly; anyone could make a phone call each day and encounter a different work by a new artist.

After a telephone conversation with famous Beat writer William S. Burroughs in 1968, John Giorno thought of the Dial-A-Poem Poets concept.  Fifteen phone lines were connected with individual answering machines so people could call and listen to poems from various live recordings. After the experiment ended, Dial-a-Poem continued through album releases of poetry into the 90s.
John Giorno founded the not-for-profit production company Giorno Poetry Systems (GPS) and organized a number of early multimedia poetry experiments and events. A friend of Andy Warhol, he was the subject of Warhol’s 1963 experimental ‘anti-film’ Sleep. Which was a ‘long-take’ piece lasting 5 hours and 21 minutes, of Giorno sleeping. He was also a close friend of William S. Burroughs, who he often collaborated with. Giorno has been an influence on many underground artists, poets and musicians. 

Founded in 1965, GPS was an artists collective and record label that used innovation and technology to spread poetry to a wide audience. There were many famous avant-garde artists, writers and musicians were involved in the projects. The GPS label released albums regularly until the late 80s. In the 90s, GPS released a box set collecting its recordings of William S. Burroughs. The first GPS album release ‘The Dial-A-Poem Poets’ was produced in 1972. The final release was ‘Cash Cow’ a compilation of the best recordings from 1965-1993. Some of the early collaborators who produced work for the project were writers such as Allen Ginsberg, Ken Kesey, Charles Bukowski, Sylvia Plath and Kathy Acker. Also avant-grade artists and musicians like Yoko Ono, Patti Smith, Phillip Class, John Cage and Frank Zappa. In later years musicians such as Tom Waits, Nick Cave, Psychic TV, Coil, Sonic Youth, Cabaret Voltaire and New Order produced work for GPS.
There were 18 albums produced over the life of GPS, and 6 compilations. The early albums were mostly spoken word and poetry, later albums featured musical collaborations. The albums were innovative works, employing multi-grooves and surreal cover artwork ‘You're the Guy I Want to Share My Money With’ (1981) features the last side cut as a triple-groove, so that where the stylus lands on the lead in-groove determines which artists' track plays. 

The Dial-a-Poem poetic works were a wide variety of styles. They ranged from traditional poems to pieces such as that by Taylor Mead mimicking the sounds of a motorcycle: “Brrrrruuuumm, brruuuuuum, craaaaaash, craaaash!" Many of the poetic works covered themes such as the Vietnam War, the sexual revolution, and other social and political themes of the times. As well as deeply personal and abstract poetic artworks.

Picture
A Dial-A-Poem Poets compilation from 1980.
Recordings of the Dial-A-Poem Poets and GPS can be heard here.

Picture
William S. Burroughs: The Junky's Christmas - A dark take of heroin addiction and redemption, in a short story my Burroughs. Later made into a short film produced by Francis Ford Coppola.

Picture
Nothing Here But the Recordings - Produced by members of Throbbing Gristle, from the vast collection of Burroughs' infamous tape experiments. A rare find!




© Weird Retro 2015
 Escape Pods    Captain's Blog    Supplies    Contact